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29 January 2012

My Most Musical Week

 
 
I suppose I could recall a week when I visited a few Art events, but I don't remember a single week when I'd attend three musical events. On Monday I attended the Yauza Theatre, to listen to a program dedicated to the Four Seasons. The recordings included Il Inverno (Winter), Concerto no. 4 in F Minor, RV 297 by Antonio Vivaldi (the famous 1st movement), Winter in Buenos Aires by Astor Piazzola, a couple of extracts from Haydn's Four Season oratory, which were followed by the witty commentary and brilliant performance of Tchaikovsky's Four Seasons by a well-known pianist Alexei Skanavi.

The Yauza Theatre celebrates 100th anniversary next year. Erected in 1903, the building used to house the Mossovet Theatre when it was headed by Yuri Zavadsky. Then it changed the hands and for several decades belonged to the Electric Factory located in the vicinity. The legends of Russian rock music performed there, including Viktor Tsoi and Boris Grebenschikov, and the film director Sergei Solovyov filmed bits of ASSA movie there. In 1992 I visited this "house of culture" with my Dad on the occasion of celebrating Paul McCartney's birthday. The event included a screening of Let It Be, followed by a concert. Towards the ends thereof a hard rock group jumped on stage, and die-hard Beatles fans moved outside, into a mellow summer evening, where young guys played and sang the songs, some of which I'd already known by heart. Obviously, being a child, I doubt I took much notice of the outside decor or interiors. This time it was different, and the best I could describe it to myself was a "working class Bolshoi Theatre".


27 January 2012

A Memorandum of Leonardo Da Vinci (1490s)

I've been writing my to-do lists religiously since 2010. Before that I'd always make a list for groceries shopping (because you cannot possibly remember all the items you need to buy, especially when the respective shelves are located in all parts of the shop). And I'd also make notes of what needed to be done, but I rarely set it up as a list. Then one day in 2010 I had to run 8 places for errands, so I wrote them all up in a list, grouped them by location... and by the end of the day I did visit them all! This was a real proof of the list-mania working, so I just carried on.

Frankly speaking, my lists mostly deal with work and errands. Work - because I do a lot of that, and unless I list and prioritise I won't accomplish much. Errands - because I love doing my work, and I may genuinely forget paying that bill or buying that item. So, I have to be really exacting.

More seldom, unfortunately, I schedule rests and other activities, like sport or languages. I think this is where I need to up the level of my list-making :-)

Yet I'm sure very few of us do follow in Leonardo da Vinci's footsteps, whose "to-do list" is below. Strictly speaking, this list is called "memorandum", and it's not exactly a "to-do list" but rather a reminder of things one needs, or wants, to do, know, learn, ask about. As I see it, there's a difference between the two. A to-do list has a trait of immediacy; it's usually a list of actions one needs to take in a more or less precise frame of time. That's why it's a list, and that's why it may even have times added to it, to make it more like a timetable. Leonardo's memorandum is of a different nature. It is a list of subjects for contemplation and investigation. Obviously, learning the size of the Sun isn't the most important thing on anyone's agenda, neither is the Lombard manner of repairing locks, or understanding why on Earth the Tower of Ferrara has the wall without a single loophole. This is a list of things a person wants to learn. I'd rather think of it as a map of a learning process, and as such it is far more valuable than a mere to-do list. How many of us jot down things they want to learn? Those little matters that tickle our curiousity, do you write them down or just let them die off? How many of us actually expand the learning process beyond their immediate field of specialism?

The image is taken from a post by Robert Krulwich, Leonardo's To-Do List.

Я обнаружила этот рисунок на Хабрахабре и перевела целиком всю статью (под катом). Надо сказать, что речь в данном случае идет не столько о "to-do" листе, сколько о своеобразной матрице познавательного процесса. Все-таки у листа есть некое время выполнения, чего нельзя сказать о том, что начеркал в записной книжке Леонардо. Скорее, у него мы видим список того, о чем он должен размышлять, что должен узнать, спросить и найти. Т.е. вряд ли у необходимости узнать размер Солнца была некая deadline. Эта "памятка" дает в сжатом виде представление не только о том, чем жил сам Леонардо (все-таки это не наш привычный список продуктов или коммунальных платежей к оплате). Это также культурный срез эпохи. Здесь нет ни одного упоминания о политике, хотя в Италии в 1490х был всякий повод о ней говорить. Нет ничего "бытового". То, что надо спросить или узнать, явно намекает на содержание бесед, которые ведет великий итальянец. И вот здесь-то и становится немного яснее, как, в каких условиях формировался этот гениальный человек. Его интеллектуальная ненасытность поражает и восхищает. И заставляет задуматься: когда в последний раз нам хотелось узнать что-то, что, как и размер Солнца, вроде бы не имеет к нам никакого отношения?

"To-Do" Лист Леонардо - Роберт Крулвич

Есть вещи, которые редко удается сделать. Например, немного побыть Леонардо да Винчи, узнать, как работает его мозг. И благодаря историку Тоби Лестеру, мы можем это сделать.

В книге, которая скоро выйдет из печати, Лестер сообщает, что Леонардо повсюду передвигался с маленькой записной книжкой, прикрепленной к поясу, и "когда его взгляд за что-то цеплялся", он это записывал или принимался "неистово рисовать".

Леонардо писал: "Весьма полезно постоянно обозревать, делать заметки и размышлять". Но что же роилось в голове у великого итальянца? В одном из мест книги Тоби Лестер представляет нам, по сути, "to do" лист, затерянный в одной из таких записных книжек: все то, что Леонардо планировал сделать на неделе или в каком-то месяце в начале 1490х гг.

26 January 2012

Charlie Chaplin on Life and Love for Oneself



As I began to love myself, I found that anguish and emotional suffering are only warning signs that I was living against my own truth. Today, I know, this is authenticity.

As I began to love myself I understood how much it can offend somebody as I try to force my desires on this person, even though I knew the time was not right and the person was not ready for it, and even though this person was me. Today I call it respect.

As I began to love myself I stopped craving for a different life, and I could see that everything that surrounded me was inviting me to grow. Today I call it maturity.

As I began to love myself I understood that at any circumstance, I am in the right place at the right time, and everything happens at the exactly right moment. So I could be calm. Today I call it self-confidence.

As I began to love myself I quit steeling my own time, and I stopped designing huge projects for the future. Today, I only do what brings me joy and happiness, things I love to do and that make my heart cheer, and I do them in my own way and in my own rhythm. Today I call it simplicity.

As I began to love myself I freed myself of anything that is no good for my health - food, people, things, situations, and everything the drew me down and away from myself. At first I called this attitude a healthy egoism. Today I know it is love of oneself.

As I began to love myself I quit trying to always be right, and ever since I was wrong less of the time. Today I discovered that is modesty.

As I began to love myself I refused to go on living in the past and worry about the future. Now, I only live for the moment, where EVERYTHING is happening. Today I live each day, day by day, and I call it fulfillment.

As I began to love myself I recognized that my mind can disturb me and it can make me sick. But As I connected it to my heart, my mind became a valuable ally. Today I call this connection wisdom of the heart.

We no longer need to fear arguments, confrontations or any kind of problems with ourselves or others. Even stars collide, and out of their crashing new worlds are born.
Today I know that is life!

Charlie Chaplin (1959)

И на русском :-)

Полюби самого себя

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